If you’re reading this blog, maybe you stumbled in here from Anime Nano or a link from some other anime blog. If you’re on the hunt for more topical anime blog entries, then maybe this entry isn’t for you. But, on the other hand, I hope it still could be. I like writing about anime and manga. But those aren’t my only interests, and aren’t the only subjects I want to write about in this blog. I also like music, feel compelled to post about it from time to time, and feel really compelled to post something when a tragedy like this happens. So bear with me for a minute.

Broadcast have been one of my favorite bands over the past decade. So often compared to both 60s innovators White Noise and 90s heroes Stereolab, they slowly worked their way out from under the shadow of both of those bands to become one of the most creative bands of our young century. Over the course of four albums and a respectable number of other releases and collaborations, they excavated a glorious future-vision of 60s lounge and electronic music, and put a spin on old sounds that was all their own. Later albums, particularly Haha Sound and Tender Buttons, found them moving beyond simple pastiche and into bold, experimental territory, which was often anything but “pleasant” listening but still maintained their music’s pop foundation.

Earlier this morning, Broadcast vocalist Trish Keenan passed away from complications with pneumonia. Many reports state that she had been battling H1N1. Either way, it’s a tragic loss for music. Radiohead aside, perhaps no other band today has continuously evolved and challenged themselves in so many big ways as Broadcast. Despite their growing fondness for recording instrumental tracks, Keenan’s cool but never quite “detached” vocals — which always carried a particularly comforting quality for me — were an irreplaceable part of their sound. Nearly any album would be a suitable starting point for a would-be fan, but perhaps Haha Sound best encapsulates the “Broadcast sound,” a document showing both where they’d been and the bold direction they were heading towards.

There haven’t been many Broadcast AMVs. In fact, the Org only lists one, that being Jnzk’s excellent “Trauma,” which is probably one of the top ten AMVs I’ve ever seen. The Paranoia Agent screencaps I’ve posted here are taken from the AMV, which isn’t posted on Youtube or streaming anywhere else online. To watch this, you’ll need to follow the link below and actually download it. I know that most people can’t be bothered to follow such a time-consuming, seemingly byzantine process just to watch a video anymore, but if Jnzk hasn’t put it on Youtube, then I assume it’s because he/she didn’t want it there, so I’m just respecting his/her tacit wishes.

It’s also been less than five months since Satoshi Kon passed away. If you enjoy his work (particularly Paranoia Agent) and enjoy AMVs, then this video is a must-see. Just in case anyone here actually does want to watch it, I’ll dump the link here so no one can miss it.

edit: Many, many years after writing this entry, I was able to get permission to share this AMV. I have no idea if anyone will ever read this entry again at this point, but the small chance that someone could is all I need.